I return often to the rising moon. I am draw especially when events crowd ease and clarity of vision into a small corner of my life. This happens often in the fall. Then I go to my hill and await the hunter' s moon, enormous and gold over the horizon, filling, the night with vision.
An owl swoops from the ridge top, noiseless but bright as flame. A cricket shrills in the grass. I think of poets and musicians. Of Beethoven' s "Moonlight Sonata" and of Shakespeare, whose Lorenzo declaims in The Merchant of Venice, "How sweet the moonlight sleeps upon this bank! /Here will we sit and let the sounds of music/Creep in our ears." I wonder if their verse and music, like the music of crickets, are in some way voices of the moon. With such thoughts, my citified confusions melt into the quiet of the night.
Lovers and poets find deeper meaning at night. We are all apt to pose deeper questions — about our origins and destinies. We indulge in riddles, rather than in the impersonal geometries that govern the daylight world. We become philosophers and mystics.
At moonrise, as we slow our minds to the pace of the heavens, enchantment steals over us. We open the vents of feeling and exercise parts of our minds that reason locks away by day. We hear, across the distances, murmurs of ancient hunter and see anew the visions of poets and lovers of long ago.
有一座小山就坐落在我家附近，我常常会在夜间去爬山。到了山上，城市里的嘈杂就会变成远方的低语。在安静的黑夜里，我能够感觉到蟋蟀的欢乐和猫头鹰的自信。不过，看月出才是我爬山的目的，重新找回在城市中轻易就迷失的那种宁静与纯真。
在小山上，我看过很多次月出。每次月出都是各有风情，不尽相同。秋日里，圆圆的月亮露出丰收的自信；春风中，月亮灰蒙蒙地表达着羞涩；冬日里，冰轮般的月亮孤独地悬在漆黑的空中；夏日中，橘黄色的月亮朦朦胧胧地俯瞰着干燥的田野。每一种月亮都似精美的音乐，感动我的心灵，抚慰我的灵魂。
赏月是一种古老的艺术。远古时代的猎人，对空中月亮的了解如同知晓自己的心跳一样，丝毫不差。他们熟悉29天中的每个月亮，月亮会由明亮饱满变得萎缩，直至消失，然后再次复活；他们知道，月盈期间，每?日落，头顶的月亮就会显得更高更大；他们还知道，月亏期间，月出一日更比一日迟，直到有一天，太阳升起时仍不见月亮的踪迹。古人能根据?验知道到月亮的行踪变化，真是造诣颇深的事情。
但生活在室内的我们，已?失去了和月亮的联系。城市耀眼的街灯、玷污的烟尘遮蔽了?本晴朗的夜空。人类虽已在月亮上迈出了第一步，反而对月亮变得更加陌生。没有几人能说得出今晚月亮何时升起。
无论如何，月亮仍然牵挂着我们的心。如果不?意间看到刚刚升起的、大大的、黄澄澄的满月，都会情不自禁地停下来，一睹她高贵的姿容。而月亮也会赐予观看她的人礼物。
在七月山间的一个夜晚，我得到了她的礼物。车子莫名其妙地熄了火，我一个人束手无策地困在山中。太阳已?落山了，我看到东边山头闪出一团橘红色的光线，好像林着火一样。刹那间，山头也被火焰吞噬。过了一会儿，月亮突然从密林中探出涨红的大大的脸，夏日空气中弥漫的尘雾与汗气，使月亮显得有些荒谬的变形。
大地灼热的呼吸扭曲了它，月亮变得格外暴躁，不再完美。不远处，农舍里的狗紧张地乱叫起来，好像这奇怪的光亮唤醒了野草中的魔鬼。
然而，随着月亮慢慢爬上山头，它聚合了全身的坚定与威严；它的面孔也从红变成了橘黄，又变成金色，最后成为μμ的黄。月亮不断地上升，下面的丘陵山谷逐渐暗μ朦胧，好像大地的光亮让月亮渐渐吸走了似的。待到皓月当空，圆圆的月亮洒下象牙般乳白的清辉，下面的山谷在这样的风景里，形成了一片片幽深的阴影。这时，那些乱叫的狗才打消了疑虑——?来那团光是它们熟悉的月亮——停止了吠叫。在那一刻，我忽然觉得信心十足，心情欢畅，禁不住笑了起来。
整整一个小时，我都沉浸在这奇美的景观里。月出是缓缓而又充满微妙的。要想欣赏月出，我们得退回到过去的时代，带着一种对时间有耐心的心态去欣赏。看着月亮毫无顾忌地不断攀升，我们能找到内心少有的宁静。我们的想象力能让我们感到宇宙的广阔和大地的无限，忘却自己的存在，感觉自我的渺小，却又深感自己的独特。
月光从不向我们展示生活的艰辛。山坡好像在银色月光下披上了柔和的轻纱。在月光的照耀下，海水显得碧蓝而静谧。沉浸在月光中，我们不再像白天那般精于算计，而是沉浸在自我内心的情感之中。
正当我陶醉于月色之美时，奇妙的事情发生了。就是在七月的那个夜晚，我看了一两个小时的月景后，回到车里，再次转动钥匙发动汽车时，发动机出人意料地响了起来，和几个小时前熄火时一样蹊跷而神秘。我开着车沿着山路回家，月光洒在肩上，心中满是平静。
从那以后，我常常会到山上看月出。当成堆的事务渐渐平息，生活逐渐明朗，这时常发生在秋季，我就会爬上那座小山。我等着猎人之月的出现，等着金色丰盈的月亮俯照大地，给黑夜带来光明。
一只猫头鹰静悄悄地从山头俯冲而下，却在月色下如火光闪过。一只蟋蟀在草丛中尖声歌唱，我不由得想起了诗人和音乐家——贝多芬的《月光奏鸣曲》和莎士比亚笔下的《威尼斯商人》中洛伦佐的话：“月光沉睡在这岸边多么迷人！我们要坐在这里让音乐之声，潜入我们的耳内。”我不清楚他们的诗篇与音乐是否与蟋蟀的歌声相似，在某种程度上可以算做月的声音。想到这些，城市生活带给我的昏乱心绪，便在夜的宁静中消失了。
恋人和诗人在夜里能寻找到更深奥的生活意义。其实，我们都爱问一些深奥的问题——关于我们的祖先、我们的命运。我们只想纵容这些永远找不到答案的谜团，不喜欢那些主导着白天世界的、没有情感的几何教科书。在夜里，我们都成为哲学家和神秘家。
当月亮升起之时，我们放慢思想，让它追随天堂的脚步。不?意间，一种魔力就会遍布全身。我们会敞开情感之门，让白天被理智束缚的那部分思绪自由奔涌。我们能跨越遥远的时空，听远古猎人的细语，看久远时代恋人与诗人们眼中的世界。
月圆月缺，总是牵挂着我们的心绪。当月亮升起之时，我们放慢思想，让它追随天堂的脚步。
英国的农村生活
Rural Life in England
[美国]华盛顿·欧文/Washington Irving
Nothing can be more imposing than the magnificence of English park scenery. Vast lawns that extend like sheets of vivid green, with here and there clumps of gigantic trees, heaping up rich piles of foliage. the solemn pomp of groves and woodland glades, with the deer trooping in silent herds across them; the hare, bounding away to the covert; or the pheasant, suddenly bursting upon the wing; the brook, taught to wind in natural meanderings or expand into a glassy lake—the sequestered pool, reflecting the quivering trees, with the yellow leaf sleeping on its bosom, and the trout roaming fearlessly about its limpid waters; while some rustic temple or sylvan statue, grown green and dank with age, gives an air of classic sanctity to the seclusion.
These are but a few of the features of park scenery; but what most delights me, is the creative talent with which the English decorate the unostentatious abodes of middle life. The rudest habitation, the most unpromising and scanty portion of land, in the hands of an Englishman of taste, becomes a little paradise.
The sterile spot grows into loveliness under his (an Englishman) hands, and yet the operations of art which produce the effect are scarcely to be perceived. The cherishing and training of some trees; the cautious pruning of others; the nice distribution of flowers and plants of tender and graceful foliage; the introduction of a green slope of velvet turf; the partial opening to a peep of blue distance, or silver gleam of water: all these are managed with a delicate tact, a pervading yet quiet assiduity, like the magic touchings with which a painter finishe
