She did not so much exhaust this general question as pass from it to her insoluble individual problem again: "What am I to do?"She wanted first of all to fling the forty pounds back into Ramage's face. But she had spent nearly half of it, and had no conception of how such a sum could be made good again. She thought of all sorts of odd and desperate expedients, and with passionate petulance rejected them all.
She took refuge in beating her pillow and inventing insulting epithets for herself. She got up, drew up her blind, and stared out of window at a dawn-cold vision of chimneys for a time, and then went and sat on the edge of her bed. What was the alternative to going home? No alternative appeared in that darkness.
It seemed intolerable that she should go home and admit herself beaten. She did most urgently desire to save her face in Morningside Park, and for long hours she could think of no way of putting it that would not be in the nature of unconditional admission of defeat.
"I'd rather go as a chorus-girl," she said.
She was not very clear about the position and duties of a chorus-girl, but it certainly had the air of being a last desperate resort. There sprang from that a vague hope that perhaps she might extort a capitulation from her father by a threat to seek that position, and then with overwhelming clearness it came to her that whatever happened she would never be able to tell her father about her debt. The completest capitulation would not wipe out that trouble. And she felt that if she went home it was imperative to pay. She would always be going to and fro up the Avenue, getting glimpses of Ramage, seeing him in trains. . . .
For a time she promenaded the room.
"Why did I ever take that loan? An idiot girl in an asylum would have known better than that!
"Vulgarity of soul and innocence of mind--the worst of all conceivable combinations. I wish some one would kill Ramage by accident! . . .
"But then they would find that check endorsed in his bureau. . .
.
"I wonder what he will do?" She tried to imagine situations that might arise out of Ramage's antagonism, for he had been so bitter and savage that she could not believe that he would leave things as they were.
The next morning she went out with her post-office savings bank-book, and telegraphed for a warrant to draw out all the money she had in the world. It amounted to two-and-twenty pounds. She addressed an envelope to Ramage, and scrawled on a half-sheet of paper, "The rest shall follow." The money would be available in the afternoon, and she would send him four five-pound notes. The rest she meant to keep for her immediate necessities. A little relieved by this step toward reinstatement, she went on to the Imperial College to forget her muddle of problems for a time, if she could, in the presence of Capes.
Part 7
For a time the biological laboratory was full of healing virtue.
Her sleepless night had left her languid but not stupefied, and for an hour or so the work distracted her altogether from her troubles.
Then, after Capes had been through her work and had gone on, it came to her that the fabric of this life of hers was doomed to almost immediate collapse; that in a little while these studies would cease, and perhaps she would never set eyes on him again.
After that consolations fled.
The overnight nervous strain began to tell; she became inattentive to the work before her, and it did not get on. She felt sleepy and unusually irritable. She lunched at a creamery in Great Portland Street, and as the day was full of wintry sunshine, spent the rest of the lunch-hour in a drowsy gloom, which she imagined to be thought upon the problems of her position, on a seat in Regent's Park. A girl of fifteen or sixteen gave her a handbill that she regarded as a tract until she saw "Votes for Women" at the top. That turned her mind to the more generalized aspects of her perplexities again. She had never been so disposed to agree that the position of women in the modern world is intolerable.
Capes joined the students at tea, and displayed himself in an impish mood that sometimes possessed him. He did not notice that Ann Veronica was preoccupied and heavy-eyed. Miss Klegg raised the question of women's suffrage, and he set himself to provoke a duel between her and Miss Garvice. The youth with the hair brushed back and the spectacled Scotchman joined in the fray for and against the women's vote.
Ever and again Capes appealed to Ann Veronica. He liked to draw her in, and she did her best to talk. But she did not talk readily, and in order to say something she plunged a little, and felt she plunged. Capes scored back with an uncompromising vigor that was his way of complimenting her intelligence. But this afternoon it discovered an unusual vein of irritability in her.
He had been reading Belfort Bax, and declared himself a convert.
He contrasted the lot of women in general with the lot of men, presented men as patient, self-immolating martyrs, and women as the pampered favorites of Nature. A vein of conviction mingled with his burlesque.
For a time he and Miss Klegg contradicted one another.
The question ceased to be a tea-table talk, and became suddenly tragically real for Ann Veronica. There he sat, cheerfully friendly in his ***'s *******--the man she loved, the one man she cared should unlock the way to the wide world for her imprisoned feminine possibilities, and he seemed regardless that she stifled under his eyes; he made a jest of all this passionate insurgence of the souls of women against the fate of their conditions.
Miss Garvice repeated again, and almost in the same words she used at every discussion, her contribution to the great question.
She thought that women were not made for the struggle and turmoil of life--their place was the little world, the home; that their power lay not in votes but in influence over men and in ****** the minds of their children fine and splendid.
