He doubled up his fist, and seemed to contemplate thrusting it through the window. He turned his back on that temptation. Then suddenly he seized a new preparation bottle that stood upon his table and contained the better part of a week's work--a displayed dissection of a snail, beautifully done--and hurled it across the room, to smash resoundingly upon the cemented floor under the bookcase; then, without either haste or pause, he swept his arm along a shelf of re-agents and sent them to mingle with the debris on the floor. They fell in a diapason of smashes. "H'm!"he said, regarding the wreckage with a calmer visage. "Silly!" he remarked after a pause. "One hardly knows--all the time."He put his hands in his pockets, his mouth puckered to a whistle, and he went to the door of the outer preparation-room and stood there, looking, save for the faintest intensification of his natural ruddiness, the embodiment of blond serenity.
"Gellett," he called, "just come and clear up a mess, will you?
I've smashed some things."
Part 3
There was one serious flaw in Ann Veronica's arrangements for self-rehabilitation, and that was Ramage. He hung over her--he and his loan to her and his connection with her and that terrible evening--a vague, disconcerting possibility of annoyance and exposure. She could not see any relief from this anxiety except repayment, and repayment seemed impossible. The raising of twenty-five pounds was a task altogether beyond her powers. Her birthday was four months away, and that, at its extremist point, might give her another five pounds.
The thing rankled in her mind night and day. She would wake in the night to repeat her bitter cry: "Oh, why did I burn those notes?"It added greatly to the annoyance of the situation that she had twice seen Ramage in the Avenue since her return to the shelter of her father's roof. He had saluted her with elaborate civility, his eyes distended with indecipherable meanings.
She felt she was bound in honor to tell the whole affair to Manning sooner or later. Indeed, it seemed inevitable that she must clear it up with his assistance, or not at all. And when Manning was not about the thing seemed ****** enough. She would compose extremely lucid and honorable explanations. But when it came to broaching them, it proved to be much more difficult than she had supposed.
They went down the great staircase of the building, and, while she sought in her mind for a beginning, he broke into appreciation of her ****** dress and self-congratulations upon their engagement.
"It makes me feel," he said, "that nothing is impossible--to have you here beside me. I said, that day at Surbiton, 'There's many good things in life, but there's only one best, and that's the wild-haired girl who's pulling away at that oar. I will make her my Grail, and some day, perhaps, if God wills, she shall become my wife!' "He looked very hard before him as he said this, and his voice was full of deep feeling.
"Grail!" said Ann Veronica, and then: "Oh, yes--of course!
Anything but a holy one, I'm afraid."
"Altogether holy, Ann Veronica. Ah! but you can't imagine what you are to me and what you mean to me! I suppose there is something mystical and wonderful about all women.""There is something mystical and wonderful about all human beings. I don't see that men need bank it with the women.""A man does," said Manning--"a true man, anyhow. And for me there is only one treasure-house. By Jove! When I think of it I want to leap and shout!""It would astonish that man with the barrow.""It astonishes me that I don't," said Manning, in a tone of intense self-enjoyment.
"I think," began Ann Veronica, "that you don't realize--"He disregarded her entirely. He waved an arm and spoke with a peculiar resonance. "I feel like a giant! I believe now I shall do great things. Gods! what it must be to pour out strong, splendid verse--mighty lines! mighty lines! If I do, Ann Veronica, it will be you. It will be altogether you. I will dedicate my books to you. I will lay them all at your feet."He beamed upon her.
"I don't think you realize," Ann Veronica began again, "that I am rather a defective human being.""I don't want to," said Manning. "They say there are spots on the sun. Not for me. It warms me, and lights me, and fills my world with flowers. Why should I peep at it through smoked glass to see things that don't affect me?" He smiled his delight at his companion.
"I've got bad faults."
He shook his head slowly, smiling mysteriously.
"But perhaps I want to confess them."
"I grant you absolution."
"I don't want absolution. I want to make myself visible to you.""I wish I could make you visible to yourself. I don't believe in the faults. They're just a joyous softening of the outline--more beautiful than perfection. Like the flaws of an old marble. If you talk of your faults, I shall talk of your splendors.""I do want to tell you things, nevertheless.""We'll have, thank God! ten myriad days to tell each other things. When I think of it--""But these are things I want to tell you now!""I made a little song of it. Let me say it to you. I've no name for it yet. Epithalamy might do.
"Like him who stood on Darien I view uncharted sea Ten thousand days, ten thousand nights Before my Queen and me.
"And that only brings me up to about sixty-five!
"A glittering wilderness of time That to the sunset reaches No keel as yet its waves has ploughed Or gritted on its beaches.
"And we will sail that splendor wide, From day to day together, From isle to isle of happiness Through year's of God's own weather.""Yes," said his prospective fellow-sailor, "that's very pretty."She stopped short, full of things un-said. Pretty! Ten thousand days, ten thousand nights!
"You shall tell me your faults," said Manning. "If they matter to you, they matter.""It isn't precisely faults," said Ann Veronica. "It's something that bothers me." Ten thousand! Put that way it seemed so different.
"Then assuredly!" said Manning.
