It was suddenly lively in the garden. Cecil, Paulo's old servant, approached from the house, with a lantern in his hand.
He comes down the alley with hasty steps, and with an anxious countenance approaches his master.
"What is it, Cecil?"
"Two letters, sir, that have just arrived. One comes from the hotel of the Russian legation, and the other from that of the Lord-Cardinal Bernis."Paulo shuddered slightly, and his hand involuntarily grasped after the first letter, but he suddenly constrained himself, and his glance fell upon Natalie, whose eyes were fixed with curiosity upon the two letters.
"We will first see what the good Cardinal Bernis writes us!" said Count Paulo, placing the Russian letter in his pocket with apparent indifference.
"Bernis?" asked Natalie. "Is not that the French Cardinal, who is at the same time a poet, and whom the pope, the great Ganganelli, so dearly loves?""The same," said Paulo, "and besides, the same Cardinal Bernis whom Ihad months ago promised to allow the pleasure of ****** your acquaintance! He already knows you, Natalie, although he has never yet seen your fair face; he knows you from what I have told him.""Oh, let us quickly see what the good cardinal writes!" exclaimed Natalie, clapping her hands with the impatience of a child.
Count Paulo smilingly broke the seal and read the letter.
"You are in truth a witch," said he; "you must have some genius n your service, who listens to every wish you express, in order to fulfil it without delay! This letter contains an invitation from the cardinal.
He gives a great entertainment to-morrow, and begs of me that I will bring you to it. The improvisatrice Corilla will also be there!""Oh, then I shall see her!" exclaimed the delighted young maiden. "At length I shall see a poetess! For we shall go to this entertainment, shall we not, Paulo?"The count thoughtfully cast down his eyes, and his hand involuntarily sought the letter in his pocket. An expression of deep care and anxiety was visible on his features, and Cecil seemed to divine the thoughts of his master, for he also looked anxious, and a deep sigh escaped from his breast.--Natalie perceived nothing of all this! She was wholly occupied by the thought of seeing Corilla, the great improvisatrice, of whom Carlo, Natalie's music-teacher, had told her so much, and whose fame was sounded by children and adults in all the streets of Rome.
"We go to this festival, do we not, Paulo?" repeated she, as the count still continued silent.
Recovering from his abstraction, he said: "Yes, we will go! It is time that my Natalie was introduced into this circle of influential Romans, that she may gain friends among people of importance, who may watch over and protect her when I no longer can!""You will, then, leave me?" cried the young maiden, turning pale and anxiously grasping the count's arm. "No, Paulo, you cannot do that!
Would you leave me because I, a foolish child, desired to go to this festival, and was no longer contented with our dear and beautiful solitude? That was wrong in me, Paulo, as I now plainly see, and Idesire it no longer! Oh, we will prepare other pleasures for ourselves here in our delightful paradise. You have often called me a poetess, and I will now believe I am, and no longer wish to see another. I will suffice for myself! Come, I will immediately sing you a song, a festival song, my friend!"And taking her guitar, Natalie struck some joyous accords; but Count Paulo lightly laid his hands upon the strings so as to silence them, and drawing the tips of her fingers to his lips, with a slight shaking of his head, he said: "Not now, my charming poetess, I am not worthy of hearing you.""And it is late," added Cecil, coming as it were to the aid of his master.
The count rose. "Yes, you are right--it is late," said he, "and I must not longer keep Natalie from her slumber. Come, my sweet child, you must retire; you must sleep, that your brow may beam with blooming freshness to-morrow!"Natalie made no answer; with a light sigh she mechanically took the count's offered arm.
Cecil preceded them with the lantern in his hand. Thus they proceeded up the alley leading to the villa, all three silent and thoughtful.
The sky had become obscured, a black cloud intercepted the light of the moon, and Natalie's charmed garden was suddenly wrapped in gloom.
A cold shudder ran through her delicate frame.
"A feeling of anxiety has come over me!" she whispered, clinging close to the count's side.
"Poor child!" said the count. "Are you already oppressed with fear?""What if the wall should give way, and bad people should intrude into our garden! Ah, Marianne says that misfortune lurks everywhere in the world, lying in ambush for those who think themselves safe, destroying their happiness, and ****** them wholly miserable; and people only laugh and rejoice that another man's hopes have been wrecked! Ah, and I have felt so secure in my happiness! If misfortune should now actually come--if these walls should prove not high enough to keep it off! Ah, Paulo, protect me from lurking misfortune!"They had now arrived at the door of the villa. Paulo pressed the trembling young maiden with paternal tenderness to his breast, and, lightly touching her forehead with his lips, he said: "Good- night, my love! Sleep gently, and be not anxious! So long as I live, misfortune shall never approach you! Rest assured of that!"Thus speaking, he led her into the house, where Marianne was waiting to accompany her to her chamber.
Natalie silently followed her, but before entering her room she once more turned, and, pressing her fingers to her lips, wafted kisses in the air toward her friend.
"Good-night, Paulo!"
"Good-night, Natalie!"
The door closed behind her, and the smile instantly vanished from Paulo's lips. With impetuous haste, beckoning Cecil to follow him, he strode through the corridor leading to his own apartments.
