登陆注册
37607300000050

第50章 ANALYTIC OF AESTHETIC JUDGEMENT(17)

But the sublime in nature-if we pass upon it a pure aesthetic judgement unmixed with concepts of perfection, as objective finality, which would make the judgement teleological-may be regarded as completely wanting in form or figure, and none the less be looked upon as an object of pure delight, and indicate a subjective finality of the given representation.So, now, the question suggests itself, whether in addition to the exposition of what is thought in an aesthetic judgement of this kind, we may be called upon to give a deduction of its claim to some (subjective) a priori principle.

This we may meet with the reply that the sublime in nature is improperly so called, and that sublimity should, in strictness, be attributed merely to the attitude of thought, or, rather, to that which serves as basis for this in human nature.The apprehension of an object otherwise formless and in conflict with ends supplies the mere occasion for our coming to a consciousness of this basis; and the object is in this way put to a subjectively-final use, but it is not estimated as subjectively-final on its own account and because of its form.(It is, as it were, a species finalis accepta, non data.)Consequently the exposition we gave of judgements upon the sublime in nature was at the same time their deduction.For, in our analysis of the reflection on the part of judgement in this case, we found that in such judgements there is a final relation of the cognitive faculties, which has to be laid a priori at the basis of the faculty of ends (the will), and which is therefore itself a priori final.

This, then, at once involves the deduction, i.e., the justification of the claim of such a judgement to universally-necessary validity.

Hence we may confine our search to one for the deduction of judgements of taste, i.e., of judgements upon the beauty of things of nature, and this will satisfactorily dispose of the problem for the entire aesthetic faculty of judgement.

SS 31.Of the method of the deduction of judgements of taste.

The obligation to furnish a deduction, i.e., a guarantee of the legitimacy of judgements of a particular kind, only arises where the judgement lays claim to necessity.This is the case even where it requires subjective universality, i.e., the concurrence of every one, albeit the judgement is not a cognitive judgement, but only one of pleasure or displeasure in a given object, i.e., an assumption of a subjective finality that has a thoroughgoing validity for every one, and which, since the judgement is one of taste, is not to be grounded upon any concept of the thing.

Now, in the latter case, we are not dealing with a judgement of cognition-neither with a theoretical one based on the concept of a nature in general, supplied by understanding, nor with a (pure)practical one based on the idea of *******, as given a priori by reason-and so we are not called upon to justify a priori the validity of a judgement which represents either what a thing is, or that there is something which I ought to do in order to produce it.

Consequently, if for judgement generally we demonstrate the universal validity of a singular judgement expressing the subjective finality of an empirical representation of the form of an object, we shall do all that is needed to explain how it is possible that something can please in the mere formation of an estimate of it (without sensation or concept), and how, just as the estimate of an object for the sake of a cognition generally has universal rules, the delight of any one person may be pronounced as a rule for every other.

Now if this universal validity is not to be based on a collection of votes and interrogation of others as to what sort of sensations they experience, but is to rest, as it were, upon an, autonomy of the subject passing judgement on the feeling of pleasure (in the given representation), i.e., upon his own taste, and yet is also not to be derived from concepts; then it follows that such a judgement-and such the judgement of taste in fact is-has a double and also logical peculiarity.For, first, it has universal validity a priori, yet without having a logical universality according to concepts, but only the universality of a singular judgement.Secondly, it has a necessity (which must invariably rest upon a priori grounds), but one which depends upon no a priori proofs by the representation of which it would be competent to enforce the assent which the judgement of taste demands of every one.

The solution of these logical peculiarities, which distinguish a judgement of taste from all cognitive judgements, will of itself suffice for a deduction of this strange faculty, provided we abstract at the outset from all content of the judgement, viz., from the feeling of pleasure, and merely compare the aesthetic form with the form of objective judgements as prescribed by logic.We shall first try, with the help of examples, to illustrate and bring out these characteristic properties of taste.

SS 32.First peculiarity of the judgement of taste.

The judgement of taste determines its object in respect of delight (as a thing of beauty) with a claim to the agreement of every one, just as if it were objective.

To say: "this flower is beautiful is tantamount to repeating its own proper claim to the delight of everyone.The agreeableness of its smell gives it no claim at all.One man revels in it, but it gives another a headache.Now what else are we to suppose from this than that its beauty is to be taken for a property of the flower itself which does not adapt itself to the diversity of heads and the individual senses of the multitude, but to which they must adapt themselves, if they are going to pass judgement upon it.And yet this is not the way the matter stands.For the judgement of taste consists precisely in a thing being called beautiful solely in respect of that quality in which it adapts itself to our mode of taking it in.

同类推荐
热门推荐
  • 剑道归一

    剑道归一

    长歌起,御剑行。气冲霄汉,拨云见天清。三尺青锋斩邪佞,世外逍遥,何羡功与名。千江月,万山影。画角声残,高楼听萧吟。人在江湖自多情,恩仇难断,春风吹酒醒。
  • 天至尊魔神

    天至尊魔神

    混沌世界,天才无数。一少年,从一个小家族而出,意外获得混沌世界界力传承。从此脱胎换骨,一飞冲天。
  • 傲视十域

    傲视十域

    公孙浩然,前世是仙界十域之一玄域之主,因为他的强大,引起了另外六大域六大仙帝的不安,最终六人设局围攻他,最最后关头他和六大仙帝派来的人同归于尽,只留下了一个即将消逝的残魂。转世重修后,且看他恢复前世记忆后,如何一步步重临巅峰,灭杀一切敌人,傲视十域,无人可敌。
  • 天行

    天行

    号称“北辰骑神”的天才玩家以自创的“牧马冲锋流”战术击败了国服第一弓手北冥雪,被誉为天纵战榜第一骑士的他,却受到小人排挤,最终离开了效力已久的银狐俱乐部。是沉沦,还是再次崛起?恰逢其时,月恒集团第四款游戏“天行”正式上线,虚拟世界再起风云!
  • 步步向上

    步步向上

    一场变故,瞬间打破平静,回到大学毕业那个火红的年代。从小人物做起,尽揽人世繁华、各怀心事、勾心斗角之场景。一介书生该何去何从,同流合污?随波逐流?还是出污泥而不染?以不变应万变,处惊不惊,大道就在脚下……步步向上……“感谢创世书评团提供论坛书评支持”
  • 电影世界任我穿越

    电影世界任我穿越

    一家怀旧电影院,让我能够在各大经典电影里自由穿越。《唐伯虎点秋香》、《那些年,我们一起追的女孩》、《盗梦空间》、《无间道》、《后会无期》……读者们还想看到哪部电影的可以在评论区留言哦,我会从中选取人气最高的来写。让我们一起和主角对话,与美女纠缠,在玩耍中改造电影世界!喜欢这本小说的欢迎加群:244658618
  • “漂”在北京的枪手

    “漂”在北京的枪手

    温亚军,现为北京武警总部某文学杂志主编。著有长篇小说伪生活等六部,小说集硬雪、驮水的日子等七部。获第三届鲁迅文学奖,第十一届庄重文文学奖,《小说选刊》《中国作家》和《上海文学》等刊物奖,入选中国小说学会排行榜。中国作家协会会员。
  • 战争游戏公司

    战争游戏公司

    无穷幻想战争游戏公司凭借强大的电脑虚拟技术,向军迷们推出了虚拟战争游戏体验服务。
  • 游走在宇宙间的舰队

    游走在宇宙间的舰队

    【偏科幻流,系统奖励与飞车有关,不玩游戏不影响阅读。非快穿,前期以地球为主,后期游历宇宙万界】赵青霄带着企鹅飞车系统,穿越到了未来一千年后的世界,这里人类刚刚进入星际时代,加入宇宙大联盟。在地球联邦中,科学家既是最大的明星,成为驾驶赛车、机甲的源力战士是所有人的梦想。不过企鹅大神,我在这个世界,只是个学术“造假”被开除的研究生,能不能别让我亲自上场比赛啊,我体能又弱,源力又渣,什么技巧也不会,每天也就去做做研究过过日子。什么!我完成任务能得到赛车设计图、各种机甲、飞船、各种人才、特效卡?那还等什么,赶紧搞快点,那台上古魔尊我预定了。后面有一个宇宙S级强者追杀我?呵呵,我一点都不慌,因为他的飞船速度没我的快。前面的仙人我允许你先跑一万米,再尝尝我爆天甲的歼星轨道炮!
  • 明朝浮生记

    明朝浮生记

    21世纪的大学毕业生陈浩穿越到了明朝一个少年秀才周小白身上,从此开始了他在大明朝的阳光生活。