At this moment there entered the theatre, at the very back of the house, a young lady. She was handsome and well dressed, and as she opened the door--Loring had employed no ushers or other assistants in this little social performance--she paused for a moment and looked into the theatre, and then noiselessly stepped to a chair in the back row and sat down.
This was Edith Starr, who, a month before, had been betrothed to Herbert Loring. Edith and her mother had been invited to this performance, and front seats had been reserved for them, for each guest had received a numbered card. But Mrs. Starr had a headache, and could not go out that afternoon, and for a time her daughter had thought that she, too, must give up the pleasure Loring had promised her, and stay with her mother. But when the elder lady dropped into a quiet sleep, Edith thought that, late as it was, she would go by herself, and see what she could of the performance.
She was quite certain that if her presence were known to Loring he would stop whatever he was doing until she had been provided with a seat which he thought suitable for her, for he had made a point of her being properly seated when he gave the invitations. Therefore, being equally desirous of not disturbing the performance and of not being herself conspicuous, she sat behind two rather large men, where she could see the stage perfectly well, but where she herself would not be likely to be seen.
In a few moments the curtain rose, and Loring came forward, carrying a small, light table, which he placed near the front of the stage, and for a moment stood quietly by it. Edith noticed upon his face the expression of uncertainty and anxiety which had not yet left it. Standing by the side of the table, and speaking very slowly, but so clearly that his words could be heard distinctly in all parts of the room, he began some introductory remarks regarding the second part of his performance.
"The extraordinary, and I may say marvellous, thing which Iam about to show you," he said, "is known among East Indian magicians as the magic egg. The exhibition is a very uncommon one, and has seldom been seen by Americans or Europeans, and it was by a piece of rare good fortune that I became possessed of the appliances necessary for this exhibition. They are indeed very few and ******, but never before, to the best of my knowledge and belief, have they been seen outside of India.
"I will now get the little box which contains the articles necessary for this magical performance, and I will say that if Ihad time to tell you of the strange and amazing adventure which resulted in my possession of this box, I am sure you would be as much interested in that as I expect you to be in the contents of the box. But in order that none of you may think this is an ordinary trick, executed by means of concealed traps or doors, Iwish you to take particular notice of this table, which is, as you see, a plain, unpainted pine table, with nothing but a flat top, and four straight legs at the corners. You can see under and around it, and it gives no opportunity to conceal anything."Then, standing for a few moments as if he had something else to say, he turned and stepped toward one of the wings.
Edith was troubled as she looked at her lover during these remarks. Her interest was great, greater, indeed, than that of the people about her, but it was not a pleasant interest. As Loring stopped speaking, and looked about him, there was a momentary flush on his face. She knew this was caused by excitement, and she was pale from the same cause.
Very soon Loring came forward, and stood by the table.
"Here is the box," he said, "of which I spoke, and as I hold it up I think you all can see it. It is not large, being certainly not more than twelve inches in length and two deep, but it contains some very wonderful things. The outside of this box is covered with delicate engraving and carving which you cannot see, and these marks and lines have, I think, some magical meaning, but I do not know what it is. I will now open the box and show you what is inside. The first thing I take out is this little stick, not thicker than a lead-pencil, but somewhat longer, as you see. This is a magical wand, and is covered with inscriptions of the same character as those on the outside of the box. The next thing is this little red bag, well filled, as you see, which I shall put on the table, for I shall not yet need it.
"Now I take out a piece of cloth which is folded into a very small compass, but as I unfold it you will perceive that it is more than a foot square, and is covered with embroidery. All those strange lines and figures in gold and red, which you can plainly see on the cloth as I hold it up, are also characters in the same magic language as those on the box and wand. I will now spread the cloth on the table, and then take out the only remaining thing in the box, and this is nothing in the world but an egg--a ******, ordinary hen's egg, as you all see as I hold it up. It may be a trifle larger than an ordinary egg, but then, after all, it is nothing but a common egg--that is, in appearance. In reality it is a good deal more.
"Now I will begin the performance." And as he stood by the back of the table, over which he had been slightly bending, and threw his eyes over the audience, his voice was stronger, and his face had lost all its pallor. He was evidently warming up with his subject.
"I now take up this wand," he said, "which, while I hold it, gives me power to produce the phenomena which you are about to behold. You may not all believe that there is any magic whatever about this little performance, and that it is all a bit of machinery; but whatever you may think about it, you shall see what you shall see.
"Now with this wand I gently touch this egg which is lying on the square of cloth. I do not believe you can see what has happened to this egg, but I will tell you. There is a little line, like a hair, entirely around it. Now that line has become a crack. Now you can see it, I know. It grows wider and wider!
