At last the Queen was really hurt at the Emperor's remarks, and gave him a few lectures upon the ******* with which he allowed himself to lecture others. One day she was busied in signing warrants and orders for payment for her household, and was conversing with M. Augeard, her secretary for such matters, who presented the papers one after another to be signed, and replaced them in his portfolio. While this was going forward, the Emperor walked about the room; all at once he stood still, to reproach the Queen rather severely for signing all those papers without reading them, or, at least, without running her eye over them; and he spoke most judiciously to her upon the danger of signing her name inconsiderately. The Queen answered that very wise principles might be very ill applied; that her secretary, who deserved her implicit confidence, was at that moment laying before her nothing but orders for payment of the quarter's expenses of her household, registered in the Chamber of Accounts; and that she ran no risk of incautiously giving her signature.
The Queen's toilet was likewise a never-failing subject for animadversion with the Emperor. He blamed her for having introduced too many new fashions; and teased her about her use of rouge. One day, while she was laying on more of it than usual, before going to the play, he pointed out a lady who was in the room, and who was, in truth, highly painted. "A little more under the eyes," said the Emperor to the Queen; "lay on the rouge like a fury, as that lady does." The Queen entreated her brother to refrain from his jokes, or at all events to address them, when they were so outspoken, to her alone.
The Queen had made an appointment to meet her brother at the Italian theatre; she changed her mind, and went to the French theatre, sending a page to the Italian theatre to request the Emperor to come to her there.
He left his box, lighted by the comedian Clairval, and attended by M. de la Ferte, comptroller of the Queen's privy purse, who was much hurt at hearing his Imperial Majesty, after kindly expressing his regret at not being present during the Italian performance, say to Clairval, "Your young Queen is very giddy; but, luckily, you Frenchmen have no great objection to that."
I was with my father-in-law in one of the Queen's apartments when the Emperor came to wait for her there, and, knowing that M. Campan was librarian, he conversed with him about such books as would of course be found in the Queen's library. After talking of our most celebrated authors, he casually said, "There are doubtless no works on finance or on administration here?"
These words were followed by his opinion on all that had been written on those topics, and the different systems of our two famous ministers, Sully and Colbert; on errors which were daily committed in France, in points essential to the prosperity of the Empire; and on the reform he himself would make at Vienna. Holding M. Campan by the button, he spent more than an hour, talking vehemently, and without the slightest reserve, about the French Government. My father-in-law and myself maintained profound silence, as much from astonishment as from respect; and when we were alone we agreed not to speak of this interview.
The Emperor was fond of describing the Italian Courts that he had visited. The jealous quarrels between the King and Queen of Naples amused him highly; he described to the life the manner and speech of that sovereign, and the simplicity with which he used to go and solicit the first chamberlain to obtain permission to return to the nuptial bed, when the angry Queen had banished him from it. The time which he was made to wait for this reconciliation was calculated between the Queen and her chamberlain, and always proportioned to the gravity of the offence. He also related several very amusing stories relative to the Court of Parma, of which he spoke with no little contempt. If what this Prince said of those Courts, and even of Vienna, had been written down, the whole would have formed an interesting collection. The Emperor told the King that the Grand Duke of Tuscany and the King of Naples being together, the former said a great deal about the changes he had effected in his State.
The Grand Duke had issued a mass of new edicts, in order to carry the precepts of the economists into execution, and trusted that in so doing he was labouring for the welfare of his people. The King of Naples suffered him to go on speaking for a long time, and then casually asked how many Neapolitan families there were in Tuscany. The Duke soon reckoned them up, as they were but few. "Well, brother," replied the King of Naples, "I do not understand the indifference of your people towards your great reforms; for I have four times the number of Tuscan families settled in my States that you have of Neapolitan families in yours."
The Queen being at the Opera with the Emperor, the latter did not wish to show himself; but she took him by the hand, and gently drew him to the front of the box. This kind of presentation to the public was most warmly received. The performance was "Iphigenia in Aulis," and for the second time. the chorus, "Chantons, celebrons notre Reine!" was called for with universal plaudits.
