登陆注册
38597500000017

第17章

Mas. G. He had put his cup down on the ground then, and he literally stepped into it. Some of the tea spirted over my dress-the grey one. I meant to tell you about it before.

CAPT. G. (Aside.) There are the makings of a strategist about Jack though his methods are coarse. (Aloud.) You'd better get a new dress, then. (Aside.) Let us pray that that will turn her.

Mas. G. Oh, it isn't stained in the least. I only thought that I'd tell you. (Returning to letter.) What an extraordinary person! (Reads.)"But need I remind you that you have taken upon yourself a charge of wardship"-what in the world is a charge of wardship?-"which as you yourself know, may end in Consequences"-CAPT. G. (Aside.) It's safest to let em see everything as they come across it; but 'seems to me that there are exceptions to the rule.

(Aloud.) I told you that there was nothing to be gained from rearranging my table.

Mas. G. (Absently.) What does the woman mean? She goes on talking about Consequences-' 'almost inevitable Consequences"with a capital C-for half a page. (Flushing scarlet.) Oh, good gracious! How abominable!

CAPT. G. (Promptly.) Do you think so? Doesn't it show a sort of motherly interest in us? (Aside.) Thank Heaven. Harry always wrapped her meaning up safely! (Aloud.) Is it absolutely necessary to go on with the letter, darling?

Mas. G. It's impertinent-it's simply horrid. What right has this woman to write in this way to you? She oughtn't to.

CAPT. G. When you write to the Deercourt girl, I notice that you generally fill three or four sheets. Can't you let an old woman babble on paper once in a way? She means well.

MRS. G. I don't care. She shouldn't write, and if she did, you ought to have shown me her letter.

CAPT. G. Can't you understand why I kept it to myself, or must Iexplain at length-as I explained the farcybuds?

Mas. G. (Furiously.) Pip I hate you! This is as bad as those idiotic saddle-bags on the floor. Never mind whether it would please me or not, you ought to have given it to me to read.

CAPT. G. It comes to the same thing. You took it yourself.

MRS. G. Yes, but if I hadn't taken it, you wouldn't have said a word. I think this Harriet Herriott-it's like a name in a book-is an interfering old Thing.

CAPT. G. (Aside.) So long as you thoroughly understand that she is old, I don't much care what you think. (Aloud.) Very good, dear.

Would you like to write and tell her so? She's seven thousand miles away.

MRS. G. I don't want to have any-thing to do with her, but you ought to have told me. (Turning to last page of letter.) And she patronizes me, too. I've never seen her! (Reads.) "I do not know how the world stands with you; in all human probability I shall never know; but whatever I may have said before, I pray for her sake more than for yours that all may be well. I have learned what misery means, and I dare not wish that any one dear to you should share my knowledge."CAPT. G. Good God! Can't you leave that letter alone, or, at least, can't you refrain from reading it aloud? I've been through it once. Put it back on 'he desk. Do you hear me?

Mas. G. (Irresolutely.) I sh-sha'n't! (Looks at G.'s eyes.) Oh, Pip, please! I didn't mean to make you angry- 'Deed, I didn't. Pip, I'm so sorry. I know I've wasted your time-CAPT. G. (Grimly.) You have. Now, will you be good enough to go-if there is nothing more in my room that you are anxious to pry into?

Mas. G. (Putting out her hands.) Oh, Pip, don't look at me like that! I've never seen you look like that before and it hu-urts me!

I'm sorry. I oughtn't to have been here at all, and -and- and-(sobbing.) Oh, be good to me! Be good to me! There's only you-anywhere! Breaks down in long chair, hiding face in cushions.

CAPT. G. (Aside.) She doesn't know how she flicked me on the raw. (Aloud, bending over chair.) I didn't mean to be harsh, dear-Ididn't really. You can stay here as long as you please, and do what you please. Don't cry like that. You'll make yourself sick. (Aside.)What on earth has come over her? (Aloud.) Darling, what's the matter with you?

Mrs. G. (Her face still hidden.) Let me go-let me go to my own room. Only-only say you aren't angry with me.

CAPT. G. Angry with you, love! Of course not. I was angry with myself. I'd lost my temper over the saddlery-Don't hide your face, Pussy. I want to kiss it.

Bends lower, Mas. G. slides right arm round his neck. Several interludes and much sobbing.

Mas. G. (In a whisper.) I didn't mean about the jam when I came in to tell you-CAPT'. G. Bother the jam and the equipment! (Interlude.)Mas. G. (Still more faintly.) My finger wasn't scalded at all. I-[wanted to speak to you about-about -something else, and-I didn't know how.

CAPT. G. Speak away, then. (Looking into her eyes.) Eb!

Wha-at? Minnie! Here, don't go away! You don't mean?

Mas. G. (Hysterically, backing to portiere and hiding her face in its fold's.) The-the Almost Inevitable Consequences! (Flits through portiere as G. attempts to catch her, and bolts her self in her own room.)CAPT. G. (His arms full of portiere.) Oh! (Sitting down heavily in chair.) I'm a brutea pig-a bully, and a blackguard. My poor, poor little darling! "Made to be amused only?"-THE VALLEY OF THE SHADOW

Knowing Good and Evil.

SCENE.-The GADSBYS' bungalow in the Plains, in June.

Punkah-coolies asleep in veranda where Captain GADBY is walking up and down. DOCTOR'S trap in porch. JUNIORCHAPLAIN drifting generally and uneasily through the house.

Time, 3:4O A. M. Heat 94 degrees in veranda.

DOCTOR. (Coming into veranda and touching G. on the shoulder.) You had better go in and see her now.

CAPT. G. (The color of good cigar-ash.) Eb, wha-at? Oh, yes, of course. What did you say?

DOCTOR. (Syllable by syllable.) Go -in-to-the -room -and- see-her. She wants to speak to you. (Aside, testily.) I shall have him on my hands next.

JUNIOR CHAPLAIN. (In half-lighted dining room.) Isn't there any?-DOCTOR. (Savagely.) Hsb, you little fool!

1

DOCTOR. Wait till she sends for you at least-at least. Man alive, he'll kill you if you go in there! What are you bothering him for?

同类推荐
  • 苏沈良方

    苏沈良方

    本书为公版书,为不受著作权法限制的作家、艺术家及其它人士发布的作品,供广大读者阅读交流。
  • 佛说甚深大回向经

    佛说甚深大回向经

    本书为公版书,为不受著作权法限制的作家、艺术家及其它人士发布的作品,供广大读者阅读交流。
  • 太上虚皇天尊四十九章经

    太上虚皇天尊四十九章经

    本书为公版书,为不受著作权法限制的作家、艺术家及其它人士发布的作品,供广大读者阅读交流。
  • 诗经集传

    诗经集传

    本书为公版书,为不受著作权法限制的作家、艺术家及其它人士发布的作品,供广大读者阅读交流。
  • 法华问答

    法华问答

    本书为公版书,为不受著作权法限制的作家、艺术家及其它人士发布的作品,供广大读者阅读交流。
热门推荐
  • 随风乱世记玉缘

    随风乱世记玉缘

    他推开封闭已久的门,里面只有她的味道,却是曾经。摇椅吱吱呀呀的摇晃着,依稀记得,有个女人,温婉柔媚的走进他的梦里,她夺目的微笑,只是一霎那,阳光变得阴沉,她,逐渐消失……猛地坐起。轻捧日记……对不起……我又想你了……
  • 每天用一点读心识人术

    每天用一点读心识人术

    《每天用一点读心识人术》以社会学、心理学为理论基础,综合古今中外各种读心识人术的方法和技巧,主要从以下几个方面教你如何读懂一个人,如何穿过一个人外在的层层迷雾进入到他的核心,也就是他的气质和性格中去,进而得窥他行事的逻辑。这几个方面是:形体及着装、面容、朋友家人、兴趣爱好、语言、行为、置身环境时个人状态的自在与否。
  • 叶圣陶散文

    叶圣陶散文

    “学生阅读经典”丛书是一套为中小学生编辑的语文课外读物,精选了多位名家的经典作品,适合中小学生阅读。阅读这套丛书不但能提高你的文学修养,对你的语文学习也大有益处,更能提高你的写作水平和应试能力。本书为丛书之一,收录了叶圣陶先生的散文精品数十篇。
  • 陈小明的历险

    陈小明的历险

    圣人不死,大盗不止。怎能忘了西游!主角没有无敌的王者之气,穿越在他眼里成了一次美妙的探险。
  • 校草殿下赖上我

    校草殿下赖上我

    他被视为明泽影视学院的“可爱王子”,她是无拘无束的校园女霸王。一次碰撞,让他爱上这个有情有义的“奇”女孩,她却对他起不了电。所谓爱情,都是慢慢磨出来的,他决定,赖着她,蹭着她,直至令她再甩不开他!
  • 穿越之谁当天

    穿越之谁当天

    一次奇妙的穿越,一副阳刚无敌的身躯,九把奇怪的惊天巨剑,能给唐风带来什么样的命运呢?九把巨剑合一会出现什么?会让主角有什么收获和惊喜?让我们伴随唐风踏上那无尽而惊险的修道之旅吧!
  • 夏医生好久不见

    夏医生好久不见

    庄昕是全市的中考状元,那年夏天,她带着外婆的心愿,独自一人来到了南城一中,开学第一天,她遇到了夏时。夏时径直走向庄昕,“好久不见。”旁边的女同学激动的想要尖叫,“男神诶,学霸诶,在在在~向我走来,”庄昕皱了皱眉,“我们见过吗?”“我一直在找你。”夏时一脸宠溺地摸着庄昕的头。“我不认识你。”庄昕面色一沉,他还是第一个敢如此明目张胆摸她头的人。周围的同学惊的连下巴都快掉了,他们的男神什么时候对人如此温柔了,还有,他们的学霸什么时候被人如此冷落过。……多年以后,她从美国归来。这次换她了,还是那一句:“好久不见,夏医生。”夏时一把拥入怀中:“我很想你”一个是藏着悲伤过往的山区少女一个是拥有显赫家境的翩翩少年他们跨过山河,穿越人海,只为相拥彼此。
  • 销售大师之乔吉拉德

    销售大师之乔吉拉德

    本书通过13个章节的精彩内容阐述,逐一向读者介绍推销大师乔·吉拉德本人在推销过程中的成功经验、方法以及策略,并辅以推销大师本人以及其他人推销成功或者失败的案例,旨在帮助所有推销员能不断提升自我的销售能力。
  • 逆佛者之西游

    逆佛者之西游

    乱世道家平天下,盛世佛门享荣华!封神一战道家遭受前所未有的重创,佛门趁势而起打下大兴的基础。佛门经过了几万年的养精蓄锐终于兵强马壮露出狰狞的面孔,准备全面开始佛法东渡。道家经过几万载的休养生息和自我反省,面对即将到来的考验也计划了相应比较的对策。是佛门不是强龙不过江,还是道家棋高一步料敌以先呢?让杨文清带你了解同样的神话不一样的传说!
  • 霸王之指间流沙

    霸王之指间流沙

    我并不是一位在进行创作的作者,而是一个记录者或者说我在向你们讲述一个故事,发生在某时,某刻,某地,因为他鲜活而具有生命力。心王独孤,吹雪霓裳。人间梦华,雾隐雷藏。缘起风落,聚散流沙,这不是一个人的故事,而是一个世界的故事