He had one consolation.Of the unpopularity which his friends had incurred, he had no share.Such was the esteem with which he was regarded that, while the most violent measures were taken for the purpose of forcing Tory members on Whig corporations, he was returned to Parliament without even a contest.Swift, who was now in London, and who had already determined on quitting the Whigs, wrote to Stella in these remarkable words."The Tories carry it among the new members six to one.Mr.Addison's election has passed easy and undisputed; and I believe if he had a mind to be king he would hardly be refused."The goodwill with which the Tories regarded Addison is the more honourable to him, because it had not been purchased by any concession on his part.During the general election he published a political journal, entitled the Whig Examiner.Of that journal it may be sufficient to say that Johnson, in spite of his strong political prejudices, pronounced it to be superior in wit to any of Swift's writings on the other side.When it ceased to appear, Swift, in a letter to Stella, expressed his exultation at the death of so formidable an antagonist."He might well rejoice,"says Johnson, "at the death of that which he could not have killed." "On no occasion," he adds, "was the genius of Addison more vigorously exerted, and on none did the superiority of his powers more evidently appear."The only use which Addison appears to have made of the favour with which he was regarded by the Tories was to save some of his friends from the general ruin of the Whig party.He felt himself to be in a situation which made it his duty to take a decided part in politics.But the case of Steele and of Ambrose Phillips was different.For Phillips, Addison even condescended to solicit, with what success we have not ascertained.Steele held two places.He was Gazetteer, and he was also a Commissioner of Stamps.The Gazette was taken from him.But he was suffered to retain his place in the Stamp Office, on an implied understanding that he should not be active against the new Government; and he was, during more than two years, induced by Addison to observe this armistice with tolerable fidelity.
Isaac Bickerstaff accordingly became silent on politics, and the article of news which had once formed about one-third of his paper, altogether disappeared.The Tatler had completely changed its character.It was now nothing but a series of essays on books, morals, and manners.Steele therefore resolved to bring it to a close, and to commence a new work on an improved plan.It was announced that this new work would be published daily.The undertaking was generally regarded as bold, or rather rash; but the event amply justified, the confidence with which Steele relied on the fertility of Addison's genius.On the second of January 1711, appeared the last Tatler.At the beginning of March following appeared the first of an incomparable series of papers containing observations on life and literature by an imaginary Spectator.
The Spectator himself was conceived and drawn by Addison; and it is not easy to doubt that the portrait was meant to be in some features a likeness of the painter.The Spectator is a gentleman who, after passing a studious youth at the university, has travelled on classic ground, and has bestowed much attention on curious points of antiquity.He has, on his return, fixed his residence in London, and has observed all the forms of life which are to be found in that great city, has daily listened to the wits of Will's, has smoked with the philosophers of the Grecian, and has mingled with the parsons at Child's, and with the politicians at the St.James's.In the morning, he often listens to the hum of the Exchange; in the evening, his face is constantly to be seen in the pit of Drury Lane Theatre.But an insurmountable bashfulness prevents him from opening his mouth, except in a small circle of intimate friends.
These friends were first sketched by Steele.Four of the club, the templar, the clergyman, the soldier, and the merchant, were uninteresting figures, fit only for a background.But the other two, an old country baronet and an old town rake, though not delineated with a very delicate pencil, had some good strokes.
Addison took the rude outlines into his own hands, retouched them, coloured them, and is in truth the creator of the Sir Roger de Coverley and the Will Honeycomb with whom we are all familiar.
The plan of the Spectator must be allowed to be both original and eminently happy.Every valuable essay in the series may be read with pleasure separately; yet the five or six hundred essays form a whole, and a whole which has the interest of a novel.It must be remembered, too, that at that time no novel, giving a lively and powerful picture of the common life and manners of England, had appeared.Richardson was working as a compositor.Fielding was robbing birds' nests.Smollett was not yet born.The narrative, therefore, which connects together the Spectator's Essays, gave to our ancestors their first taste of an exquisite and untried pleasure.That narrative was indeed constructed with no art or labour.The events were such events as occur every day.
Sir Roger comes up to town to see Eugenio, as the worthy baronet always called Prince Eugene, goes with the Spectator on the water to Spring Gardens, walks among the tombs in the Abbey, and is frightened by the Mohawks, but conquers his apprehension so far as to go to the theatre when the Distressed Mother is acted.The Spectator pays a visit in the summer to Coverley Hall, is charmed with the old house, the old butler, and the old chaplain, eats a jack caught by Will Wimble, rides to the assizes, and hears a point of law discussed by Tom Touchy.At last a letter from the honest butler brings to the club the news that Sir Roger is dead.
