Cry out aloud on Itys! memory That foster-brother of remorse and pain Drops poison in mine ear, - O to be free, To burn one's old ships! and to launch again Into the white-plumed battle of the waves And fight old Proteus for the spoil of coral-flowered caves!
O for Medea with her poppied spell!
O for the secret of the Colchian shrine!
O for one leaf of that pale asphodel Which binds the tired brows of Proserpine, And sheds such wondrous dews at eve that she Dreams of the fields of Enna, by the far Sicilian sea,Where oft the golden-girdled bee she chased From lily to lily on the level mead, Ere yet her sombre Lord had bid her taste The deadly fruit of that pomegranate seed, Ere the black steeds had harried her away Down to the faint and flowerless land, the sick and sunless day.
O for one midnight and as paramour The Venus of the little Melian farm!
O that some antique statue for one hour Might wake to passion, and that I could charm The Dawn at Florence from its dumb despair, Mix with those mighty limbs and make that giant breast my lair!
Sing on! sing on! I would be drunk with life, Drunk with the trampled vintage of my youth, I would forget the wearying wasted strife, The riven veil, the Gorgon eyes of Truth, The prayerless vigil and the cry for prayer, The barren gifts, the lifted arms, the dull insensate air!
Sing on! sing on! O feathered Niobe, Thou canst make sorrow beautiful, and steal From joy its sweetest music, not as we Who by dead voiceless silence strive to heal Our too untented wounds, and do but keep Pain barricadoed in our hearts, and murder pillowed sleep.
Sing louder yet, why must I still behold The wan white face of that deserted Christ, Whose bleeding hands my hands did once enfold, Whose smitten lips my lips so oft have kissed, And now in mute and marble misery Sits in his lone dishonoured House and weeps, perchance for me?
O Memory cast down thy wreathed shell!
Break thy hoarse lute O sad Melpomene!
O Sorrow, Sorrow keep thy cloistered cell Nor dim with tears this limpid Castaly!
Cease, Philomel, thou dost the forest wrong To vex its sylvan quiet with such wild impassioned song!
Cease, cease, or if 't is anguish to be dumb Take from the pastoral thrush her ******r air, Whose jocund carelessness doth more become This English woodland than thy keen despair, Ah! cease and let the north wind bear thy lay Back to the rocky hills of Thrace, the stormy Daulian bay.
A moment more, the startled leaves had stirred, Endymion would have passed across the mead Moonstruck with love, and this still Thames had heard Pan plash and paddle groping for some reed To lure from her blue cave that Naiad maid Who for such piping listens half in joy and half afraid.
A moment more, the waking dove had cooed, The silver daughter of the silver sea With the fond gyves of clinging hands had wooed Her wanton from the chase, and Dryope Had thrust aside the branches of her oak To see the lusty gold-haired lad rein in his snorting yoke.
A moment more, the trees had stooped to kiss Pale Daphne just awakening from the swoon Of tremulous laurels, lonely Salmacis Had bared his barren beauty to the moon, And through the vale with sad voluptuous smile Antinous had wandered, the red lotus of the NileDown leaning from his black and clustering hair, To shade those slumberous eyelids' caverned bliss, Or else on yonder grassy slope with bare High-tuniced limbs unravished Artemis Had bade her hounds give tongue, and roused the deer From his green ambuscade with shrill halloo and pricking spear.
Lie still, lie still, O passionate heart, lie still!
O Melancholy, fold thy raven wing!
O sobbing Dryad, from thy hollow hill Come not with such despondent answering!
No more thou winged Marsyas complain, Apollo loveth not to hear such troubled songs of pain!
It was a dream, the glade is tenantless, No soft Ionian laughter moves the air, The Thames creeps on in sluggish leadenness, And from the copse left desolate and bare Fled is young Bacchus with his revelry, Yet still from Nuneham wood there comes that thrilling melodySo sad, that one might think a human heart Brake in each separate note, a quality Which music sometimes has, being the Art Which is most nigh to tears and memory;Poor mourning Philomel, what dost thou fear?
Thy sister doth not haunt these fields, Pandion is not here,Here is no cruel Lord with murderous blade, No woven web of bloody heraldries, But mossy dells for roving comrades made, Warm valleys where the tired student lies With half-shut book, and many a winding walk Where rustic lovers stray at eve in happy ****** talk.
The harmless rabbit gambols with its young Across the trampled towing-path, where late A troop of laughing boys in jostling throng Cheered with their noisy cries the racing eight;The gossamer, with ravelled silver threads, Works at its little loom, and from the dusky red-eaved shedsOf the lone Farm a flickering light shines out Where the swinked shepherd drives his bleating flock Back to their wattled sheep-cotes, a faint shout Comes from some Oxford boat at Sandford lock, And starts the moor-hen from the sedgy rill, And the dim lengthening shadows flit like swallows up the hill.
The heron passes homeward to the mere, The blue mist creeps among the shivering trees, Gold world by world the silent stars appear, And like a blossom blown before the breeze A white moon drifts across the shimmering sky, Mute arbitress of all thy sad, thy rapturous threnody.
She does not heed thee, wherefore should she heed, She knows Endymion is not far away;'Tis I, 'tis I, whose soul is as the reed Which has no message of its own to play, So pipes another's bidding, it is I, Drifting with every wind on the wide sea of misery.
Ah! the brown bird has ceased: one exquisite trill About the sombre woodland seems to cling Dying in music, else the air is still, So still that one might hear the bat's small wing Wander and wheel above the pines, or tell Each tiny dew-drop dripping from the bluebell's brimming cell.
